“Give a guy a gun, he thinks he’s Superman. Give him two and he thinks he’s God.”
Does Inspector ‘Tequila’ Yuen think he is immortal? Well, he’s certainly not afraid to die. That impression might be rooted by the fact that he never seems to run out of bullets or weapons. Then again, neither do the bad guys. That is the beauty of a gun opera…
But Tequila is a Hong Kong cop on a mission. His partner was killed during a bust gone wrong and he is hell-bent on revenge. When John Woo made Hard Boiled, he intentionally wanted a Dirty Harry-style lead. Tequila is that in spades. Actually he might be channelling old Callahan a bit too much, breaking more rules and property than Jackie Chan in Police Story. But the bad guys also act with complete impunity and happen to be armed like a dictator’s personal militia. So it’s a good thing undercover cop Tony is there to join forces with Tequila. What results is an explosion of gunplay that could only be equalled by watching all of the Rambos at the same time.
Thing is, you are familiar with this style – you’ve seen Woo’s english masterpieces Face/Off and Broken Arrow. Yet even together those films can’t match Hard Boiled. Nor do his preceding asian classics like The Killer and A Better Tomorrow. There is actually little that compares to Hard Boiled, a film that inspired practically anything where jumping sideways while firing two pistols looked cool. It might be pushing a bit to credit the foyer scene from The Matrix to this film, but let’s do that anyway. Hard Boiled only respects it when you take things to eleven.
There have been many stabs at repeating Hard Boiled’s aura. Some had the right ambitions – the Clive Owen-starring Shoot ‘Em Up is a fitting homage to it (down to saving a newborn baby). But nothing has matched the original – not even Woo’s own extensive resume. Hard Boiled is so good it doesn’t even matter if you watched the dubbed or subbed version. Some of the jokes may be lost in translation, but unloading a combat shotgun while sliding across a bar counter on your back is universal.
Cinophile is a weekly feature showcasing films that are strange, brilliant, bizarre and explains why we love the movies.